While I use social media to promote my art, my snobby side tends to feel the marketing work is “beneath me”– a waste of good old fashioned easel time!
The thing I often fail to recognize, is the absolute exhilarating benefit of the accountability social media lends me.
I do not require an audience to paint. In fact, I would be quite content to paint alone in a room where no person ever trod and no eyes ever ventured. Yet, the fear of failing can quite dampen and slow my productivity on a regular basis. As I have gained a small group of friends and followers on Instagram and Facebook, I feel the weight of their expectations and also their joy at seeing art magically appear in their feed.
While I struggle to see anything but the failings of my work, genuine viewers greet my work with eagerness, and it lends me a burst of giddiness that helps to propel me to greater productivity.
It’s refreshing to see my work with new eyes, and I am so grateful for the love and support I receive. Thank you, thank you, thank you.
The human figure is generally considered the most difficult things to paint and draw. Many representational artists study anatomy as a scientist or doctor might, and it has been a practice used for centuries. A couple of months ago I was doing a LOT of drawing and anatomy sketching and decided one day I just could not pick up the pencil one more time. Paint won’t let me ignore it for very long- it gets impatient, jealous even! So that eventually, I’m obliged to indulge it.
So I sat down and did two quick figure studies in paint. It felt so easy and so natural after all that drawing. Maybe I should remember to make paint wait every so often….
*Reference photos courtesy of the amazing New Masters Academy image library!
When I’m painting for a long stretch of time (you’re supposed to frequently take a step back from a painting… but I get lazy, so this may be part of the problem) and I walk away from a painting I am always shocked to see it again. Sometimes it’s a good shock, like: “Oh wow, I’m awesome.” But usually it’s more of a: “Wait… WHAT. I’ve been working on this for x hours and it’s not good at all. I’m a failure!”
And sometimes I switch back and forth between believing I’m awesome and believing I’m failure quite rapidly. It’s truly a dizzying experience.
However, a few things seem to calm me down:
I remember that I’m still learning.
I remember that I’m still learning. AAANND that my learning time (& budget) has been fairly restricted this past year, so I may be learning slower than I have in years past. And that’s ok. Because generally, I’m still headed up the mountain.
A good cup of coffee.
Posting a painting on social media and having friends and family say nice things about it (even though they aren’t artists, it feels good. And that helps a lot.)
You know, for as much as I love drawing and painting you’d think I would do more of it.
Sure, I could blame my day job. It is absolutely easier to make art when I’m not working. But I cannot justify watching four consecutive episodes of Parks & Rec (but it’s so goooooood) when I could be practicing my drawing or starting a new painting.
I have time available to me.
I forgive myself for being silly with my time (it’s important to live a silly life, I am sure of it) but I know that there is a little tiny voice inside me dying to create. But I get nervous and squirmy at the thought of making a bad piece of art… so I go eat some chocolate and distract myself instead.
So here’s to a daily art practice that I am starting… again. And if I get nervous and stop I will just start again. And again. And again. Because starting again is the most important thing.
Well, I’ve been working the good ol’ day job pretty regularly for the past couple of months, which means my painting & drawing time has been less than ideal! But I did manage to whip up this fun little photo entry for an Instagram contest in a desperate attempt to win some amazing brushes from Rosemary & Co. (The BEST brushes). Fingers crossed!
I am thrilled to have received an honorable mention (in the oils category) at the LCAC Spring Show. The painting is a small alla prima study of strawberries entitle “Strawberry Jam.” There were so many amazing pieces. I am so grateful I was able to participate. About 600 pieces were submitted to the show and only half were accepted.