A Move & a Masters’ Study

I just moved (from LA to the San Francisco area) and boy did that slow down my art-making! It’s not a good excuse but it happens to me every time. As a way to make painting seem fun and manageable after the emotional and physical ordeal that is moving, I pulled out a little series of masters studies that I started ages ago.

The best things about this project:

-I already started it (there was less to do)

-They are tiny (and seem less scary)

-As masters studies they don’t require a high degree of creativity

-The excitement of looking at Masters to choose from is highly motivating

-As a selection of different artists, the project allows me to switch rapidly between styles (which keeps me excited)

And it worked! I feel enthused about finding my own style and growing as an artist. And I’m excited to visit new galleries and meet the local artists I might learn from!

Here’s my little master’s study sampling project so far (Masters: Sargent, Liepke, Sargent, Burdick, Anderson, and Zorn) I still need to add that little Sargent face on the upper left. Compositionally this was a weird way to lay it out, but I have a better idea of how to handle that next time. And the important thing is… I painted!

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Masters’ Study Series

Master Study

Here’s the beginning of a series of six small (oil) portrait master’s studies. (Left: John Singer Sargent, Right: Malcom Liepke). Masters’ studies are an amazing way to analyze how an artist works. By attempting to recreate great works you add to your toolbox of problem solving in paint.

(I’m going to go back and finish the Sargeant on the left… there’s going to be a second head in there. So really, this is 7 portraits!)