Instagram as Accountability Tool

While I use social media to promote my art, my snobby side tends to feel the marketing work is “beneath me”– a waste of good old fashioned easel time!

The thing I often fail to recognize, is the absolute exhilarating benefit of the accountability social media lends me.

I do not require an audience to paint. In fact, I would be quite content to paint alone in a room where no person ever trod and no eyes ever ventured. Yet, the fear of failing can quite dampen and slow my productivity on a regular basis. As I have gained a small group of friends and followers on Instagram and Facebook, I feel the weight of their expectations and also their joy at seeing art magically appear in their feed.

While I struggle to see anything but the failings of my work, genuine viewers greet my work with eagerness, and it lends me a burst of giddiness that helps to propel me to greater productivity.

It’s refreshing to see my work with new eyes, and I am so grateful for the love and support I receive. Thank you, thank you, thank you.

Follow Me: @hhighfield

 

hhighfield

A Move & a Masters’ Study

I just moved (from LA to the San Francisco area) and boy did that slow down my art-making! It’s not a good excuse but it happens to me every time. As a way to make painting seem fun and manageable after the emotional and physical ordeal that is moving, I pulled out a little series of masters studies that I started ages ago.

The best things about this project:

-I already started it (there was less to do)

-They are tiny (and seem less scary)

-As masters studies they don’t require a high degree of creativity

-The excitement of looking at Masters to choose from is highly motivating

-As a selection of different artists, the project allows me to switch rapidly between styles (which keeps me excited)

And it worked! I feel enthused about finding my own style and growing as an artist. And I’m excited to visit new galleries and meet the local artists I might learn from!

Here’s my little master’s study sampling project so far (Masters: Sargent, Liepke, Sargent, Burdick, Anderson, and Zorn) I still need to add that little Sargent face on the upper left. Compositionally this was a weird way to lay it out, but I have a better idea of how to handle that next time. And the important thing is… I painted!

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